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''The Kraft Music Hall'' was a popular variety program, featuring top show business entertainers, which aired on NBC radio and television from 1933 to 1971. ==Radio== ''The Kraft Program'' debuted June 26, 1933 as a musical-variety program featuring orchestra leader Paul Whiteman and served to supplement print advertising and in-store displays promoting Kraft products. During its first year the show went through a series of name changes, including ''Kraft Musical Revue'', until it finally settled on ''Kraft Music Hall'' in 1934. Paul Whiteman remained the host until December 6, 1935. Ford Bond was the announcer. Billed as "The King of Jazz", Paul Whiteman was arguably America’s first popular music superstar. Whiteman’s foresight regarding the coming of the jazz age and his decisions to hire the best jazz musicians was a powerful boost for jazz, swing and blues. Though he was prohibited from hiring black performers, he hired arrangers and composers. Bing Crosby took over as master of ceremonies January 2, 1936. Crosby was host until May 9, 1946. Other entertainers who appeared regularly during Crosby's tenure included Connie Boswell, Victor Borge, and Mary Martin. A review in Billboard magazine commented, "It is a tribute to Bing Crosby, program's highlight, that the Music Hall seems to survive all talent change -- these changes simply pointing up the fact that the show is completely dependent on Crosby." For the advertising managers at Kraft, it was imperative that advertising and entertainment be kept separate. For this reason, Kraft insisted that an announcer, not cast members, read its commercials. Additionally, Kraft commercials were single-product focused during the radio days, short and to the point in order to keep with Kraft's philosophy that quality entertainment led listeners up to the commercials, dropped them into the commercials, and took them back to the show, as evidenced by the broadcast of June 15, 1944: When Crosby and Marilyn Maxwell finish singing “Take It Easy,” Bing segues to the ad with, “Check it friends, The Charioteers (the studio chorus) will further demonstrate immediately after my colleague glibly hustles prospective purchasers.” Announcer Ken Carpenter commences a 39-second spot extolling the virtues of Kraft Dinner – “Well, I can tell you of macaroni and cheese that helps you three ways. Saves cooking time, saves shopping time, saves ration points.” Crosby was the longest-running ''Kraft Music Hall'' host, from 1936 through 1946. His casual style and humorous easy-going banter made the show tops with the young "country club" set. The average listener was 21 during this period, compared to the average age of 11 at the movie houses. Intelligent humor and delightful guests made these years some of the greatest. On the show, Bing rubbed elbows with the likes of Spike Jones, Lucille Ball, The Andrews Sisters, Nat “King” Cole and Peggy Lee. It was during these years on the Kraft Music Hall that Bob Burns popularized his famous “bazooka” instrument (made from a pipe and a funnel), coining the term which was later used by soldiers referring to the 2.75” recoilless rifle anti-tank weapon, the bazooka. After Crosby ''Kraft Music Hall'' went through a handful of short-lived hosts. Edward Everett Horton, Eddie Foy and Frank Morgan all hosted from 1945 through 1947. Nelson Eddy took over the summer spots in 1947 and with costar Dorothy Kirsten in 1948 and 1949. The show had a strong supporting cast: pianist-vocalist Ramona, soprano Helen Jepson, tenor Jack Fulton, pianist Roy Bargy and music critic Deems Taylor. Al Jolson dotted the ''Kraft Music Hall'' landscape, first as an occasional guest from 1933 to 1935, then later as the star and host from 1947 to 1949, while his sarcastic pianist and sidekick Oscar Levant piped in with his dry wit. Jolson kept working until shortly before his death in 1950, with these shows as some of his last. Many of the show’s recurring jokes and funny remarks were about Jolson's education (which was, in fact, not the very best), his age and his relationships to women. When Jolson returned in October 1947, ''Variety'' printed a rave review.〔(subscription required)〕 When Decca Records released a ''Best of Al Jolson'' double LP, it included several tracks from ''Kraft Music Hall'' broadcasts.〔(Al Jolson )〕 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Kraft Music Hall」の詳細全文を読む スポンサード リンク
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